Tag Archives: video

Improving The Quality Of Your Video Compositions With Creative Cloud

I’ve been spending a lot of time with Adobe video tools lately… everything from videos for the blog, to promotional videos, to help/technical videos.  Here are a few topics that beginners in video production need to think about… audio processing and color correction.

First, you can make so-so video look great with a few simple color correction techniques. Second, a video is only as good as its audio, so you need solid audio to keep viewers engaged.  Hopefully this post helps you improve your videos with simple steps on both of these topics.

To give you an idea what I’m talking about, check out this before and after video. It’s the exact same clip played twice.  The first run through is just the raw video straight from the camera and mic.  Colors don’t “pop”, it’s a little grainy, and the audio is very quiet.  The second run through has color correction applied to enhance the visuals, and also has processed audio to enhance tone, increase volume, and clean up artifacts.

Let’s first look at color correction.  Below you can see a “before” and “after” still showing the effects of color correction.  The background is darker and has less grain, there is more contrast, and the colors are warmer.

Before and After - Color Correction

Before and After – Color Correction

The visual treatment was achieved using two simple effects in Adobe Premiere Pro.  First I used the Fast Color Corrector to adjust the input levels.  By bringing up the black and gray input levels, the background became darker, and it reduced grain in the darker areas.  Then, I applied the “Warm Overall” Lumetri effect to make the video feel warmer – this enhances the reds to add warmth to the image.

Color Correction Effects in Adobe Premiere

Color Correction Effects in Adobe Premiere

You can enhance colors even further using color correction tools inside of Premiere Pro, or open the Premiere Pro project directly within SpeedGrade for fine tuning.

Next, let’s focus on audio…

You can get by with a mediocre video with good audio, but nobody wants to sit through a nice looking video with terrible audio. Here are three simple tips for Adobe Audition to help improve your audio, and hopefully keep viewers engaged.

In this case, I thought the audio was too quiet and could be difficult to understand.  My goal was to enhance audio volume and dynamics to make this easier to hear.

I first used Dynamics Processing to create a noise gate. This process removes quiet sounds from the audio, leaving us with the louder sounds, and generally cleaner audio.  You could also use Noise Reduction or the Sound Remover effects… the effect that works best will depend on your audio source.

Dynamics Processing (Noise Gate) in Adobe Audition

Dynamics Processing (Noise Gate) in Adobe Audition

Next I used the 10-band graphic equalizer to enhance sounds in specific frequency ranges.  I brought up mid-range sounds to give more depth to the audio track.

10 Band EQ in Adobe Audition

10 Band EQ in Adobe Audition

Finally, I used the Multiband Compressor to enhance the dynamic range of the audio.  Quieter sounds were brought up and louder sounds were brought down to create more level audio that is easier to hear and understand.  However, be careful not to make your audio too loud when using the compressor!  If you’ve ever been watching TV and the advertisements practically blow out your eardrums, this is because of overly compressed audio.

Multi-band Compressor in Adobe Audition

Multi-band Compressor in Adobe Audition

Want to learn more?  Don’t miss the Creative Cloud Learn resources to learn more about all of the Creative Cloud tools – the learning resources are free for everyone! If you aren’t already a member, join Creative Cloud today to access all Adobe media production tools.

Aerial Videography with the GoPro Camera and Adobe Creative Cloud Tools

Interested in aerial videography with remote control helicopters? Well, you’re in luck! This month’s issue of Adobe Inspire magazine features my article which introduces aerial videography with a DJI Phantom multirotor helicopter and a GoPro camera!

You can read it on the web or download the FREE digital publication version to learn more. I recommend the digital publication version, which was created with Adobe Digital Publishing Suite.

Interested in focusing on aerial photography instead of videography? Stay tuned for the March Adobe Inspire issue next month, which will feature a complimentary article focusing on still images captured with the same helicopter configuration. Subscribe today to be notified automatically when the new version is available.

Adobe Inspire-1

Be warned – flying helicopters with cameras attached is highly addictive. You may easily become obsessed with the endless possibilities, as I have.

Here are a few videos I’ve captured with this setup, and processed with Creative Cloud.

Some scenic shots in and around San Francisco…

A digital short where I was playing around with After Effects…

The sky really is the limit!

OK, do I have your attention yet? To learn more you can read the full article online or download the FREE digital publication, and don’t forget to become a member of Creative Cloud to take advantage of all the creative tools that Adobe has to offer.

Heard of the Creative Cloud Packager?

The Creative Cloud Packager is a tool for CC Enterprise and CC Team customers that enables them to easily package Creative Cloud products and updates for deployment within their organizations.  It lets you select specific Creative Cloud products and/or updates and package them into .pkg or .msi installers (optionally with a serial number for Enterprise customers).  These packages can then be deployed on their own or integrated with third-party deployment tools like JAMF Casper or Microsoft SCCM.  The Creative Cloud Packager even lets you control Creative Cloud update behaviors and more.

With the recent releases of Creative Cloud Packager, you can now edit existing deployment packages, create deployment packages from local media (DVDs), and even create deployment packages for older (CS6) creative applications, if you have the proper license.

Want to learn more about the Creative Cloud Packager or get specific information on deployment package details? Do not miss the Creative Cloud Packager help documentation.

If you’re looking for an overview, don’t miss these videos covering the Creative Cloud Packager for both Enterprise and Team customers.

Deploying Creative Cloud for teams with Creative Cloud Packager

Deploying Creative Cloud for enterprise with Creative Cloud Packager

Time-Lapse Photography with Creative Cloud

In addition to my addiction to aerial photography, I’m also fascinated by time-lapse photography. With time lapse photography, you set up your camera to take pictures on an interval. This could be every few seconds, every few minutes, every few hours, or heck, once a day. It’s really up to you how you want to set up your shots and what you want to shoot. In any case, you can end up with a lot images – each by itself could be great, but it only tells a limited story.  However, you can put all those images together in a sequence to create some truly amazing visuals. Subtle motion becomes pronounced, and you can clearly view the passage of time. Often, this ends up with an amazing visual story that would be hard to otherwise capture.

All that you need start diving into time-lapse photography is a camera that is capable of capturing images on an interval – normally there is some kind of time lapse mode that lets you set up your image frequency and duration. Then, once you’ve got your images, you can process them with Creative Cloud tools to bring out their full potential.

Here are two time-lapse sequences I created this week–one a snow storm, one a sunset.

Neither sequence required a lot of specialized or expensive equipment. I used a GoPro Hero 3 Black camera, set it on my window sill, and let it do it’s thing. (I do want to upgrade to better gear, but this still works fantastically, and I love the GoPro.)

GoPro Hero 3 Black Edition

GoPro Hero 3 Black Edition

The sunset was a ten second interval captured over about 2 hours and played back in 30 seconds. The snow storm was a 60 second interval captured over roughly 14 hours, played back in 40 seconds.

So, you’ve captured the images, what next? 

You can check out the video below, or read on for further explanation how I processed and assembled the images into a video sequence, complete with links to Adobe documentation and tutorials.

Before putting everything together as a sequence, I wanted to enhance the photos to bring out as much detail as possible. Here’s where Adobe Lightroom comes into the picture. I used Lightroom to import all of my photos, add them to a collection, and then perform bulk/batch processing to enhance all of the images.

Editing Photos with Lightroom

Editing Photos with Lightroom

First, select an image to use as your baseline for adjustments. I wouldn’t start with your darkest image, and I wouldn’t start with your lightest either. I normally start somewhere in the middle. Select the image, and then switch over to the “Develop” module. I use the basic panel to make adjustments to this image. For the GoPro, I like to bring up the shadows and bring down the highlights to pull out details out. If I’m shooting a landscape, I also like to bring up the clarity and maybe even the vibrance and saturation – just don’t over do it. You could also use one of Lightroom’s presets if you want; it’s really up to you. Just be extra careful that it is not too dark or too light b/c we’re going to apply these settings to all images in the sequence.

Adobe Photoshop Lightroom - Basic Panel

Lightroom – Basic Panel

If you want to adjust hue, saturation or luminance of specific colors, you can do that within the HSL/Color/B&W panel. Using this you can make specific colors more or less intense.  I normally try to tone down the yellows in my GoPro images after I’ve increased overall saturation.

Since I used the GoPro, there is a lot of fisheye distortion from the lens – the GoPro has a 2.77mm lens whichgives an ultra-wide 170 degree field of view. This makes for some awesome wide angle shots, but sometimes you don’t want that extreme distortion. This is where lens correction gets really handy. Next, I opened up the Lens Correction panel. As soon as you check the “Enable Profile Corrections” checkbox, Lightroom should automatically select the GoPro Hero 3 Black Edition lens profile based upon metadata within the image. I didn’t want to fully flaten the image, just reduce the wide angle, so I turned down the distortion correction using the “Distortion” slider.

Adobe Photoshop Lightroom - Lens Correction

Lightroom – Lens Correction

Once you have your baseline image the way you want it, you need to apply these settings to all of your images in the sequence. Just select them all, and then either click on the “Sync…” button in the bottom right of the Develop module, or use the Settings -> Synch Settings menu. This will apply you changes on this image to all of the images that were selected. This will happen automatically if you are using auto-sync. You can learn more about synchronizing metadata between photos in the Lightroom documentation.

Next, be sure to view several images in your collection, the lightest to the darkest, and make sure they all look decent. If you need to make any changes because they are too light, or too dark, or don’t have the right contrast, then now is your time to fix it. Once you’re happy with the images in your collection you next need to export them. I exported as JPG with 100% quality at full resolution with sequential names.

Now we’ve got a lot of processed images. What’s next? We need to make a video!

At this point, I switch over to Adobe Premiere. Premiere is an incredible tool for producing videos. It makes the process of arranging video compositions very easy. It’s easy enough for a beginner to use, yet powerful enough to create high-dollar Hollywood productions. If you haven’t used Premiere before, definitely check out my Crash Course in Premiere, check out Video Editing for Non-Video Professionals, and don’t miss the Adobe Premiere channel on Adobe TV.

The first thing to do is create a new video project, then create a new sequence. If you want full HD, you’ll want to select an one of the 1080p presets (or create a custom sequence). Once you have your sequence created, you need to import your images for editing.

To import your images, select the File -> Import menu, select the first image in your sequence, and select the “Image Sequence” checkbox. (DO NOT MISS THIS STEP!)

Premiere - Import Image Sequence

Premiere – Import Image Sequence

Once imported, the image sequence will be treated like a video clip within Premiere. Drag it onto your sequence timeline, then start editing. You can speed up or slow down playback with time remapping, apply color correction, add transitions, or more.  Then add a title, add some music, and export it.

Editing within Adobe Premiere

Editing within Adobe Premiere

If you’re wondering how I got the motion in the time lapse sequence, no I didn’t have the camera moving. There are devices which make this possible, but I just used a video editing trick. The images are 12 MP, or 4000 by 3000 pixels. A “standard” HD video sequence is 1920 by 1080 pixels. The image below reflects this scale – the red area represents the 4000 by 3000 still image, and the yellow represents the 1920 by 1080 video.

Video & Image Size Comparison

Video & Image Size Comparison

You’ll notice that leaves us with a lot of room to zoom and pan around the image. I zoom into the image so that it fills the entire horizontal space within the video sequence – you can zoom in more if you want. This leaves a fair amount of vertical content outside the clipping rectangle of the video. You can use this to your advantage by panning vertically within this area.  I just made the pan very slow and deliberate so it appears that there is constant motion of the camera throughout the entire video.

The final result is that the content in the video (yellow area) appears to move because the actual image sequence is moving relative to the video viewport.

Couldn’t make it to the Adobe CreateNow Tour? Guess what, you’re still in luck!

If you couldn’t make it to the recently concluded Adobe CreateNow tour don’t worry, you can still view it online!  Check out this playlist on YouTube to see a recording of the entire New York CreateNow event.  You’ll see the latest and greatest from all of Adobe’s creative tools.